With Magic Lantern raw recording taken as an exception, on stock video settings the 5D Mark III and 7D Mark II now rank last in the list for image quality behind products by Sony, Nikon, Panasonic and Blackmagic. In fact not just for the images, but for overall features and video ergonomics as well which mean so much to filmmakers practically.
shot in 1920x804 @60fps using Magic Lantern (Danne's build)color graded using DaVinci Resolve120fps conversion using Flowframes4K conversion using Topaz VideRe: Levas' crop_rec_4k experiments for 6D. Tried new 720p presets. and 3 bottom in the list not displayed in live view (there artifacts), but record works fine. And If you turn off the camera, applied 1824x904 48fps by default. Also with shutter value set to 'full range' shutter speed works fine. Thank you!
There are many hidden features inside your Canon dSLR. Magic Lantern is the key you need to Current cameras supported include the 5D Mark II, 5D Mark III, 6D, 7D, 50D, 60D, 500D/T1i, 550D/T2i
This manual is designed to be a layman's introduction to Magic Lantern release No. 0.1.6. Technical information regarding this release as well as the history and development of Magic Lantern can be can be reviewed the Magic Lantern wiki. Magic Lantern is a program that has been developed by Canon 5D Mark II users to provide video and still enhancements to the operating system in the camera. ItThe 5D gives you that big sensor and dramatic filmic look, but you need to get more accessories to make it really shootable for moving images. That being said, try them both. Bring a CF card to a camera store and demo them. Look at the results and decide. Warren Eig. O 310-470-0905. The EOS M used to be one of the most ‘challenged’ cameras for RAW video, consistently in the shadow of the 5D Mark III and 70D. Not any more. The 5K 24fps mode is not continuous but it’s quite astonishing to see what the hardware is capable of. 3×1 means that it is a pixel binning mode on the sensor rather than a full pixel readout LG2ap.